How To Draw A Beanie From The Side

Understanding the figure

To draw a pose correctly, you don't need to always conduct an beefcake book with you. Information technology'due south not as difficult as it seems: observation and practice are your best tools. If at whatever point you lot get curious nearly trying something new (which I hope yous do), it never hurts to take a await at that anatomy volume.
Even if your drawing mode is far from realistic, the aspects that brand a pose interesting and credible remain the same: strength, rhythm, action lines, construction and perspective.

Observation:

Your closest reference is yourself. If you look at yourself in front of a mirror and outset moving, yous volition notice that your body works as a single chemical element.

When you raise an arm, the arm is non the only part of your body that moves, unlike how the removable extremities of dolls work. The changes in your torso don't resemble effigy A, right? For example, your shoulder also lifts, and many other parts of your trunk adapt to the motility as in effigy B.

This is what observation means: paying attending to the details and characteristics of the body.

Strength and rhythm

Your characters motility thanks to their inner strength. They can walk, jump, dance… whatever comes to mind! But unless they are floating in space, it is non the only force that acts on them, equally gravity makes their feet stay on land.

When two or more forces interact with each other, a rhythm is fix, which provides balance and sense to the motion.

If your grapheme is pushed to the left, his trunk will fall in that direction (A), unless he puts up resistance to stand (B).

If the character wants to pull something that refuses to move, his trunk will lean in the opposite management. Obviously, one time the true cat gives in to the force, your character volition autumn, equally the cat was what kept him standing.

Forcefulness and rhythm provide a lot of visual information you can work with: the weight of your character (1), the rest of his pose (2) or the lack of information technology (three).

Action lines

The action line is the imaginary guide that indicates your character'south movement. It focuses on actions and helps to unify the whole figure.

Below you can see a couple of examples where force, rhythm and action lines collaborate together.

Example one:

The graphic symbol (1) has a relaxed stance, resting on her right arm. In the figure (2), we can encounter her action line, which covers her whole body up to the pes. The shape is slightly similar to an Due south.

We can see it is a relaxed pose because her weight rests on a single bespeak (iii) and all she needs is to keep the rest with her left foot, which remains taut while the right one is resting.

Case two:

The adjacent pose is more dynamic, so there are more than things going on in this epitome.

This time y'all can see three action lines, but the most important are (ane) and (ii), the ones that really tell the story. The start one covers the whole figure from head to toe, and the second one goes in the opposite direction, keeping the residual and forming an X. The third one but provides greater stability to the pose.

In this cartoon nosotros tin can come across that there is a force that pushes the graphic symbol in the contrary direction to her gaze. Elements such equally the hair, the clothes and the dust on the floor suggest that the force comes from the right side, and as these elements are lite, they are affected by the speed with which this force acts.

However, this girl wants to overcome this force with her ain strength. She has no intention of losing the fight.

Example iii:

This fourth dimension, our character is a baseball player. He'southward spinning his body to get plenty momentum and counter the brawl'southward force to hit it far abroad. Don't you become the impression that it will be a habitation run fifty-fifty though you haven't seen how the scene ends even so? It'due south the magic of anticipation. If you know how to properly handle the strength, rhythm, and action lines correctly, you will exist able to guide the spectator along the path y'all have gear up. This is very important for any comic artist.

It's important that yous don't overpopulate your cartoon with too many activity lines, considering information technology could misfile the character'south intention, brand the force go in different directions, and take the emphasis away from the most important action.

Structure

The trunk is quite circuitous and information technology is difficult to draw correct proportions and move away from the second plane. I recommend you shape a base that helps y'all discern the volume of each element. To practice this, nosotros volition apply geometric figures such every bit spheres, cubes and cylinders to represent the structure of the body.

These figures tin be freely rotated, stretched, flexed, and twisted co-ordinate to the pose.

These figures represent the direction of the unlike elements of the torso. Yous must pay special attending to the limits of the joints, since at a certain point you lot take to turn or twist the body to continue moving in that direction, irresolute drastically the pose.

With practice, this process gets simpler. The better you lot sympathise how the effigy works, the fewer guides y'all volition need.

Perspective

Perspective turns the 2D plane into a 3D one and adds more depth and visual richness to the composition than but looking at information technology from a frontal plane.

The eye level or horizon line represents the actual height of the viewer's optics (one), and the vanishing points are the lines projected from a point on the horizon (2). The following image has a perspective with 2 vanishing points with which we can appreciate two faces of the figure.

The body is more intricate, but the principle is the same. For instance, this figure's anxiety and hands are smaller due to the perspective, and fifty-fifty advise us how we should projection the vanishing signal lines.

Action poses always expect more dramatic when the perspective is exaggerated. Even when the poses are not entirely realistic, the figures seem apparent and the scenes look more interesting.

I recommend you to practice and read virtually perspective as much equally possible, as it is not something yous tin can master in a day. Analyze as many references as you can. Eventually, you'll end up seeing vanishing points everywhere.

Essential lines

You tin speed upward and better your observation skills by drawing poses using photos or actual people as a reference and setting a short time limit for it. The aim is to capture the essential information of the figure and, of course, to draw every bit many poses every bit possible.

This exercise will as well help you lot to increase your confidence when drawing. Don't be afraid to describe the kickoff line, and fifty-fifty if you make a fault, avoid erasing the lines. Endeavour to focus and describe clean, clear lines.

Beneath you can run into some examples of poses that I have fatigued within 45 to 60 seconds:

At get-go, focus on cartoon the whole trunk with smooth lines. Then, if you lot have more time, detail and build the shape amend.

Don't exist afraid to draw what you don't run into or what is hidden, as it volition give you a better thought of the figure's construction.

Effort to exaggerate the lines. It makes them softer and more than credible, still crazy it sounds.

Unless the model is in a very rigid posture, effort to avoid direct lines. The about natural poses are built with curves.

I promise these tips accept been helpful!

If you want to see more of my work, from these links y'all can access my social media pages and my portfolio:

https://world wide web.instagram.com/eri_duh/
https://twitter.com/eri_duh
https://world wide web.artstation.com/eridey

Cheers and so much for reading this article!
– Eridey

Source: https://www.clipstudio.net/how-to-draw/archives/156164

Posted by: holstboyss1985.blogspot.com

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